Thursday 13 May 2010

Stephen Shore


Stephen Shore (born 1947 in New York City) is an American photographer known for his deadpan images of banal scenes and objects in the United States, and for his pioneering use of color in art photography. Stephen Shore was interested in photography from an early age. Self-taught, he received a photographic darkroom kit at age six. He began to use a 35mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. His career began at the early age of fourteen, In 1972, for instance, the New York native embarked on a road trip that was to offer what he refers to as his “first view of America.” A decade’s worth of summer road trips followed, including the one that took Shore to Coronado Street. In 1974, Shore began photographing with an 8×10 view camera. He thinks in his photography how is the elements related to each other and the balance to his point that seems central to the picture .


Stephen Shore, U.S. 97, South of Klamath Falls, Oregon, July 21, 1973


Stephen Shore is one other photography’s seminal figures. A pioneer in the art of color photography, his large format photos articulated new directions in the 1970s. the point that is central to the picture and using it to determine where to point his camera to be very interesting and informative. I felt that it helped me to improve my view of thinking be for taking my image.



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William Eggleston

William Eggleston was born in Memphis, Tennessee and raised in Sumner, Mississippi.
Eggleston's early photographic efforts were inspired by the work of Swiss-born photographer Robert Frank, and by French photographer Henri Cartier-Bresson's, First photographing in black-and-white, Eggleston began experimenting with color in 1965 and 1966. color transparency film became his dominant medium in the later sixties. “The dye-transfer process resulted in some of Eggleston's most striking and famous work, such as his 1973 photograph entitled The Red Ceiling, of which Eggleston said, "The Red Ceiling is so powerful, that in fact I've never seen it reproduced on the page to my satisfaction. When you look at the dye it is like red blood that's wet on the wall.... A little red is usually enough, but to work with an entire red surface was a challenge."


In this the red ceiling I love the way the image is been taken and how the red color makes it powerful as Eggleston says to work with entire red surface was a challenge .Eggleston photography in this image is one of contemporary art photography its strong and powerful as the way he thought to take the ceiling on that time .





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